Science-Fiction, Hollywood, and the Technology of Antichrist
by Thomas Millary
“The Art of Dreaming”
After decades of obsession with movies and pop-culture, Jasun Horsley realized that Hollywood is hell. His book “16 Maps of Hell: The Unraveling of Hollywood Superculture” documents numerous case studies of disturbing figures and events within the history of the entertainment industry, as well as the damage he personally accrued through buying into the Hollywood myth (including failed attempts to become a filmmaker himself, a failure that he is now thankful for). Underneath all these personal and historical examples of Hollywood darkness and deviance, he finds an underlying pathology, an explanation of how and why the film industry has played such a significant role in mass-dehumanization. Hollywood represents “an advanced alienation agenda.”1 “Simply put, both as individuals and as a collective, we have been lured—and lured ourselves—into a counterfeit reality, a dream world. Hollywood, as a place and a state of mind, is both a primary causal agency of this condition (over the past century), and a crucial (because visible) symptom of it. It is the equivalent of a metastasized tumor on the world psyche.”2